Don’t Fence Me In

One of the things I love about using space as a framing device around mosaic is that it allows each line to meander out to an organic end. Don’t get me wrong, the constraint of a hard boundary can have lovely creative implications, but for the moment I’m reveling in the frayed edges of the wide open.


Detail of Primordia, my submission to Prix Picassiette 2018 (Chartres, October)